"Rusalka, Op. 114, B. 203, Act I: Act I: Vidino divna, presladka (Prinz, Chorus, Wassermann)" by Antonín Dvořák, Yevgeny Nesterenko, Vienna State Opera Chorus, Vienna State Opera Orchestra, Peter Dvorsky, Václav Neumann was released on January 1, 2016. Since Rusalka, Op. 114, B. 203, Act I: Act I: Vidino divna, presladka (Prinz, Chorus, Wassermann) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 27 in Dvořák: Rusalka, Op. 114, B. 203 (Live) by Antonín Dvořák, Gabriela Beňačková, Peter Dvorsky, Yevgeny Nesterenko, Vienna State Opera Orchestra, Václav Neumann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Rusalka, Op. 114, B. 203, Act I: Act I: Vidino divna, presladka (Prinz, Chorus, Wassermann) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114, B. 203, Act I: Act I: Vidino divna, presladka (Prinz, Chorus, Wassermann) by Antonín Dvořák, Yevgeny Nesterenko, Vienna State Opera Chorus, Vienna State Opera Orchestra, Peter Dvorsky, Václav Neumann is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
18 Études, Op. 109: No. 13, L'orage | Franz Burgmüller, Carl Petersson | D Minor | 1 | 7A | 85 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Swan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Minor | 0 | 3A | 81 BPM |