"Requiem in C Minor: VII. Pie Jesu" by Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius was released on August 1, 2010. The duration of Requiem in C Minor: VII. Pie Jesu is about 3 minutes long, at 3:24. Based on our data, "Requiem in C Minor: VII. Pie Jesu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius's "Luigi Cherubini: Requiem in C Minor" album is number 7 out of 8. On top of that, Germany appears to be the country where this track was created. The popularity of Requiem in C Minor: VII. Pie Jesu is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in C Minor: VII. Pie Jesu by Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: 1. Stabat Mater | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 80 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | E♭ Major | 0 | 5B | 76 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | E Major | 2 | 12B | 87 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Les Abencérages, Act II: Récitatif. Organe de nos lois | Luigi Cherubini, Anaïs Constans, Edgaras Montvidas, Philippe-Nicolas Martin, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 2 | 10B | 84 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |