On April 6, 2024, the song "Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II" was released by Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields. The duration of Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Telemann: Suite in A Minor - Sammartini & Handel: Recorder Concertos". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II by Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Major, Op. 2, No. 1: I. Prelude | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Major | 1 | 8B | 84 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 1 | 3B | 115 BPM | ||
Harpsichord Concerto in B-Flat Major: I. Allegretto | Ernst Wilhelm Wolf, Philippe Grisvard, Ensemble Diderot, Johannes Pramsohler | A Major | 2 | 11B | 84 BPM | ||
Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III | Franz Schubert, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Trio Sonata in C Minor, BuxWV 262: II. Allegro - III. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: IV. Allegro | Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM | ||
Sinfonia to Il Giardino di Amore: III. Allegro | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 130 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM |