"Haydn: Berenice, che fai, Hob. XXIVa:10" by Joseph Haydn, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields was released on December 1, 2023. Haydn: Berenice, che fai, Hob. XXIVa:10 appears to be safe for all ages as it is not explicit. There are a total of 61 in the song's album "Sir Neville Marriner Conducts Haydn". In this album, this song's track order is #46. Furthermore, we believe that the track originated from United Kingdom. Haydn: Berenice, che fai, Hob. XXIVa:10 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Haydn: Berenice, che fai, Hob. XXIVa:10 by Joseph Haydn, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In B Flat Major: III. Allegro | Francois-Joseph Gossec, Northern Chamber Orchestra | B♭ Major | 1 | 6B | 127 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | D Major | 1 | 10B | 105 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Concerto in D major for Double-bass and Orchestra: 1. Allegro Moderato | Johann Baptist Vanhal, Odon Racz, Franz Liszt Chamber Orchestra | D Major | 1 | 10B | 105 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM |