"Andante spianato et Grande polonaise brillante, Op. 22: Andante spianato in G Major. Tranquillo" by Frédéric Chopin, Janusz Olejniczak, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland was released on 1995. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Pianist (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Andante spianato et Grande polonaise brillante, Op. 22: Andante spianato in G Major. Tranquillo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andante spianato et Grande polonaise brillante, Op. 22: Andante spianato in G Major. Tranquillo by Frédéric Chopin, Janusz Olejniczak, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
III. No. 3 'La Campanella' | Franz Liszt, André Watts | A♭ Minor | 2 | 1A | 100 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Cantos de España, Op. 232: No. 1, Prelude | Isaac Albéniz, Rafael Orozco | F Major | 1 | 7B | 69 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Jascha Silberstein, Marie Goossens | G Major | 0 | 9B | 110 BPM | ||
Company: II. — | Philip Glass, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | ||
End Title Wakefield | Aaron Zigman, Jean-Yves Thibaudet, Aaron Zigman Ensemble | A Minor | 0 | 8A | 65 BPM | ||
Fiona Has To Work (Partita No. 2 In C Minor, BWV 826: IV. Sarabande [Excerpt]) | Angela Hewitt | C Minor | 2 | 5A | 94 BPM | ||
Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | ||
Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Helmut Schmidt, Hamburger Philharmoniker | C Major | 3 | 8B | 103 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) | Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | D♭ Minor | 1 | 12A | 81 BPM |