"De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano)" by Harry Burleigh, Traditional, Lester Lynch, Victor Simonson was released on February 3, 2017. The duration of De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano) is about 3 minutes long, at 3:23. Based on our data, "De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "On My Journey Now: Spirituals & Hymns". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano) by Harry Burleigh, Traditional, Lester Lynch, Victor Simonson having a テンポ of 149 with a half-time of 74 テンポ and a double-time of 298 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
MASS: No. 14, Gloria in excelsis Deo | Leonard Bernstein, Vojtech Dyk, Wiener Singakademie, ORF Vienna Radio Symphony Orchestra, Dennis Russell Davies | D♭ Major | 2 | 3B | 102 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Thy judgment now is near | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
6 Songs from A Shropshire Lad: No. 4. Think no more, lad | George Butterworth, Roderick Williams, Iain Burnside | A♭ Minor | 2 | 1A | 109 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The Lord shall reign for ever and ever I (Chorus) - Recitative: For the horse of Pharaoh went in (Tenor) - The Lord shall reign for ever and ever II (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Messa di Gloria: VI. Domine Deus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | F Major | 0 | 7B | 83 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM |