Dani Colt made "Hacerte Un Caño" available on February 6, 2024. The duration of Hacerte Un Caño is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Hacerte Un Caño's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Hacerte Un Caño and no other songs are present in the album, we classify this track as a single. Based on our statistics, Hacerte Un Caño's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hacerte Un Caño by Dani Colt to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: The Fairy Queen, Z. 629, Act IV: Song. "Thus the Ever Grateful Spring" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Francine van der Heijden | B Minor | 0 | 10A | 78 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Magnificat in G minor, R.610/611: 8. Allegro ma non poco: Sicut locutus est | Antonio Vivaldi, Margaret Marshall, Linda Finnie, Thomas Thomaschke, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | C Major | 2 | 8B | 165 BPM | ||
Tolomeo, Re d'Egitto HWV 25 / Act 1: Aria: Respira almen un poco | George Frideric Handel, Pietro Spagnoli, Il Complesso Barocco, Alan Curtis | F♯ Minor | 1 | 11A | 80 BPM | ||
Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat, Paul Austin Kelly | G Minor | 4 | 6A | 120 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Cherubini: Medea, Act 1: "Che? Quando gia corona Amor" (Maids, Chorus, Glauce) | Luigi Cherubini, Lidia Morimpietri, Elvira Galassi, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Elvira Galassi, Lidia Morimpietri, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | B♭ Major | 1 | 6B | 133 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Armide, LWV 71, Prologue: Ouverture (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 111 BPM | ||
Concerto grosso No. 10 in F Major: V. Giga | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | E Major | 3 | 12B | 137 BPM |