Emmerich Kálmán, Endrik Wottrich, Monica Groop, Deutsches Symphonie-Orchester Berlin, Richard Bonynge's 'Die Herzogin von Chicago / Act 1: 7a: Wärest du kein Prinzeßchen' had a release date set for January 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Emmerich Kálmán, Various Artists, Richard Bonynge, Deutsches Symphonie-Orchester Berlin's "Kálmán: Die Herzogin von Chicago" album is number 19 out of 61. Die Herzogin von Chicago / Act 1: 7a: Wärest du kein Prinzeßchen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Herzogin von Chicago / Act 1: 7a: Wärest du kein Prinzeßchen by Emmerich Kálmán, Endrik Wottrich, Monica Groop, Deutsches Symphonie-Orchester Berlin, Richard Bonynge to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Csárdásfürstin: Act I: "Aus ist's mit der Liebe - Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Martin Ritzmann, Chor der Staatsoper Dresden, Dresdner Philharmonie, Heinz Rögner | G Major | 2 | 9B | 84 BPM | ||
La bohème: Finale. Death of Mimi | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A♭ Major | 5 | 4B | 174 BPM | ||
Margherita, Op. 244: Polka Francaise | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice | A Major | 1 | 11B | 139 BPM | ||
Aus den schlesischen Bergen, Op. 260 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Espana, Waltz, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | F Major | 4 | 7B | 118 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act I: Duett: Sylva, ich will nur dich (Sylva, Edwin) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | D Major | 4 | 10B | 89 BPM | ||
Hungarian Dance No. 21 in E Minor, WoO1 | Johannes Brahms, London Symphony Orchestra, Sir Charles Mackerras | B Minor | 6 | 10A | 76 BPM | ||
Teil 7 - Folge 10: Lebende Bilder - toter Mann | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Gesche Schultes-Schmoll, Klaus Miedel, Klaus Jepsen, Wolfgang Condrus, Andreas Thieck | A♭ Major | 5 | 4B | 108 BPM |