"Norma (1997 Digital Remaster), ACT 1, Scene 2: Vanne, e li cela entrambi (Norma/Clotilde)" by Vincenzo Bellini, Maria Callas, Edda Vincenzi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. Norma (1997 Digital Remaster), ACT 1, Scene 2: Vanne, e li cela entrambi (Norma/Clotilde) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 Digital Remaster), ACT 1, Scene 2: Vanne, e li cela entrambi (Norma/Clotilde) by Vincenzo Bellini, Maria Callas, Edda Vincenzi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La traviata, Act 2: "Ah! Dite alla giovane" (Violetta, Germont) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI, Ugo Savarese | E♭ Major | 2 | 5B | 83 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: In mia man alfin tu sei (Norma/Pollione) | Vincenzo Bellini, Maria Callas, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 174 BPM | ||
Don Carlo, Act II: No, l'ora estrema...(Deputati/Filippo/Elisabetta/Tebaldo/Carlo/Rodrigo/Frati/Coro) | Giuseppe Verdi, Samuel Ramey, Luciano Pavarotti, Paolo Coni, Daniella Dessì, Marilena Laurenza, Coro Del Teatro Alla Scala Di Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F Major | 4 | 7B | 89 BPM | ||
L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 120 BPM | ||
Aida / Act 4: "O terra, addio; addio valle di pianti" | Giuseppe Verdi, Luciano Pavarotti, Paata Burchuladze, Maria Chiara, Ghena Dimitrova, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel | D♭ Major | 1 | 3B | 84 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | ||
Ponchielli: La Gioconda, Act 4: "Suicidio!" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 87 BPM | ||
Dinorah, '(Le) pardon de Ploërmel' (1997 Digital Remaster): Ombre légère (Shadow Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 135 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Pagliacci / Act I: Non mi tentar! | Ruggero Leoncavallo, Joan Carlyle, Rolando Panerai, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 2 | 3B | 86 BPM |