Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano's 'Chi guardi? (Rodolfo/Colline/Mimì/Schaunard/Marcello/Coro/Parpignol/Ragazzi) - 1997 Remastered Version' came out on 1958. Chi guardi? (Rodolfo/Colline/Mimì/Schaunard/Marcello/Coro/Parpignol/Ragazzi) - 1997 Remastered Version is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 10 out of 26. Chi guardi? (Rodolfo/Colline/Mimì/Schaunard/Marcello/Coro/Parpignol/Ragazzi) - 1997 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chi guardi? (Rodolfo/Colline/Mimì/Schaunard/Marcello/Coro/Parpignol/Ragazzi) - 1997 Remastered Version by Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
Il Barbiere di Siviglia: Pace e gioia sia con voi - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
I Puritani / Act 3: Credeasi, misera! | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 86 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM | ||
Tosca / Act III: "Presto, su! Mario!" | Giacomo Puccini, Katia Ricciarelli, Heinz Zednik, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan, Schoeneberger Saengerknaben, Chor der Deutschen Oper Berlin | E♭ Minor | 4 | 2A | 85 BPM | ||
Tosca / Act 3: "Franchigia a Floria Tosca" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 64 BPM | ||
Don Carlo, Act I: Io l'ho perduta | Giuseppe Verdi, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM |