"Lieder, op.2: No.4 "Warm die Lüfte"" by Alban Berg, Dietrich Fischer-Dieskau, Aribert Reimann was released on January 1, 2003. The duration of Lieder, op.2: No.4 "Warm die Lüfte" is about 3 minutes long, at 3:03. Based on our data, "Lieder, op.2: No.4 "Warm die Lüfte"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 110 in Alban Berg Collection by Alban Berg, Claudio Abbado, James Levine, Pierre Boulez. In terms of popularity, Lieder, op.2: No.4 "Warm die Lüfte" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lieder, op.2: No.4 "Warm die Lüfte" by Alban Berg, Dietrich Fischer-Dieskau, Aribert Reimann is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Don Quixote, Op. 35, TrV 184: Variation X. Zweikampf mit dem Ritter vom blanken Monde: Heimkehr des geschlagenen Don Quixote | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | F Major | 1 | 7B | 112 BPM | ||
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!" | Alban Berg, Franz Grundheber, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 2 | 4B | 122 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 110 BPM | ||
Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | G Major | 0 | 9B | 62 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
Violin Concerto No. 2, Sz. 112: II. Andante tranquillo | Béla Bartók, Patricia Kopatchinskaja, Peter Eötvös, Frankfurt Radio Symphony Orchestra | G Major | 0 | 9B | 114 BPM | ||
Hary Janos Suite: Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | G Major | 0 | 9B | 72 BPM | ||
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM |