"L'Arlesiana: Lamento di Federico" by Francesco Cilea, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev was released on January 1, 1995. With this song being about 5 minutes long, at 4:39, "L'Arlesiana: Lamento di Federico" by Francesco Cilea, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viaggio Italiano by Andrea Bocelli. The song's track number on the album is #2 out of 16 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. L'Arlesiana: Lamento di Federico is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L'Arlesiana: Lamento di Federico by Francesco Cilea, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L'Arlesiana: Lamento di Federico being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | ||
Giordani / Arr. Terry: Caro mio ben | Giuseppe Giordani, Joyce DiDonato, Craig Terry | E♭ Major | 0 | 5B | 70 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
Norma, Акт I, Сцена 1: "Casta Diva" | Vincenzo Bellini, Ансамбль солистов Московской Государственной филармонии "Концертино", Андрей Корсаков, Виктор Козодов | A Major | 4 | 11B | 144 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
The Prayer - Boston Show | Céline Dion | A♭ Major | 4 | 4B | 147 BPM |