Henry VIII, Oxford Camerata, Jeremy Summerly's 'Pastyme with good company: Pastime with Good Company' came out on August 22, 1996. With Pastyme with good company: Pastime with Good Company being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 16 in English Madrigals and Songs by Oxford Camerata. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Pastyme with good company: Pastime with Good Company is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pastyme with good company: Pastime with Good Company by Henry VIII, Oxford Camerata, Jeremy Summerly is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Precibus et meritis beatae Mariae | Carlo Gesualdo, Oxford Camerata, Jeremy Summerly | A Minor | 2 | 8A | 104 BPM | ||
Sleep fleshly birth: Sleep, Fleshly Birth | Robert Ramsey, Oxford Camerata, Jeremy Summerly | G Major | 1 | 9B | 64 BPM | ||
Come away, come, sweet love | John Dowland, Amarcord | E Major | 2 | 12B | 66 BPM | ||
Advance Democracy | Benjamin Britten, Finzi Singers, Paul Spicer | C Minor | 1 | 5A | 37 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): III. Domine Deus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Sing We and Chant It | Thomas Morley, Trinity Baroque, Julian Podger | G Major | 3 | 9B | 95 BPM |