"Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): III. Siciliana" by Arthur Benjamin, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub was released on January 1, 2000. The duration of Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): III. Siciliana is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): III. Siciliana's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Oboe Italiano". In this album, this song's track order is #3. Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): III. Siciliana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): III. Siciliana by Arthur Benjamin, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violoncello and Orchestra, RV 416: III. Allegro | Antonio Vivaldi, Sol Gabetta, Andrés Gabetta | G Minor | 2 | 6A | 169 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365 / 316a: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | E♭ Major | 2 | 5B | 91 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq 166, H430: III. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | C Major | 1 | 8B | 82 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: IV. Presto | Georg Philipp Telemann, Gunther Holler, Konrad Hünteler, Cappella Coloniensis, Georg Fischer | E♭ Minor | 2 | 2A | 124 BPM | ||
Quintet in F Major, Op. 22, No. 2: I. Allegro con moto | Johann Christian Bach, Berliner Barock Compagney | E Major | 1 | 12B | 122 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): II. Allegro | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 102 BPM | ||
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | B♭ Major | 1 | 6B | 85 BPM | ||
Violin Sonata in D Minor, Op. 2, No. 3, RV 14: IV. Giga (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | D♭ Minor | 3 | 12A | 76 BPM | ||
Symphony in A Major, Op. 12, No. 6, G. 508: I. Allegro assai | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | A Major | 1 | 11B | 80 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: III. Presto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 4 | 12A | 98 BPM |