Arcangelo Corelli, Matthias Bamert, BBC Philharmonic's 'Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski)' came out on October 1, 2001. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Stokowski's Symphonic Baroque". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) by Arcangelo Corelli, Matthias Bamert, BBC Philharmonic having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Song of the Night, Op. 19 No. 1, H 74 | Gustav Holst, Andrew Davis, BBC Philharmonic, Tasmin Little | F Major | 0 | 7B | 83 BPM | ||
Souvenir de Florence, Op. 70 TH 118: I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
Piano Concerto in E-Flat Major, Op. 31: III. Ausserst ruhig, versonnen, schwarmerisch | Hans Pfitzner, Tzimon Barto, Staatskapelle Dresden, Christian Thielemann | A♭ Minor | 0 | 1A | 64 BPM | ||
Bassoon Concerto in F Major, RV 485: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | F Major | 1 | 7B | 97 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Book 1: La Fille aux cheveux de lin (Transcribed for Clarinet and Harp) | Claude Debussy, Richard Stoltzman | F♯ Major | 0 | 2B | 122 BPM |