Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes's 'Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora"' came out on October 14, 2011. With Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 14 out of 70. Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Corsaire: Act II - "14. Cave Pas: Conrad, Medora" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco | Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss | C Minor | 1 | 5A | 128 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Life in Balance | Ken Hsieh, Evergreen Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
Czech Suite, Op. 39, B. 93: V. Finale (Furiant) | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 0 | 10B | 87 BPM | ||
La Bayadere, Act I, Scene 1: 6. “Flute Solo - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè, Yo-Ning Hung | C Minor | 0 | 5A | 73 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
Pictures at an Exhibition: Ballet of the unhatched chicks | Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 1 | 3B | 176 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": IV. Saltarello: Presto | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | A Minor | 2 | 8A | 109 BPM | ||
Act II: Variation Of Dulcinea - Kitri (Minkus) | Mariinsky Orchestra | E♭ Major | 1 | 5B | 99 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | D Major | 2 | 10B | 86 BPM |