"Missa ex B: III. Gratias agimus - Live at Melk Abbey, 5/30/2004" by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl was released on April 19, 2024. With Missa ex B: III. Gratias agimus - Live at Melk Abbey, 5/30/2004 being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 29 in Biber: Missa ex B (Live at Melk Abbey, 5/30/2004) by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Missa ex B: III. Gratias agimus - Live at Melk Abbey, 5/30/2004 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa ex B: III. Gratias agimus - Live at Melk Abbey, 5/30/2004 by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Heavenly Father | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 108 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Разбойника благоразумного | Хор Сретенского монастыря | D♭ Minor | 6 | 12A | 146 BPM | ||
Sheppard: Beata nobis gaudia - 6. Dudum sacrata pectora | John Sheppard, The Tallis Scholars, Peter Phillips | E Minor | 1 | 9A | 76 BPM | ||
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Workin' for the Dawn of Peace (Arr. for Choir by Ron Jeffers) | Irving Gordon, Walter Kittredge, Skylark Vocal Ensemble, Matthew Guard | D♭ Major | 2 | 3B | 106 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Agnus Dei III | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 129 BPM | ||
Missa Noe Noe: I. Kyrie | Jacques Arcadelt, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | G Minor | 1 | 6A | 108 BPM | ||
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM |