Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano's 'Il primo libro de' madrigali: Ardo sì, ma non t'amo: No. 3., Arsi e alsi a mia voglia' came out on October 13, 2023. With Il primo libro de' madrigali: Ardo sì, ma non t'amo: No. 3., Arsi e alsi a mia voglia being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano's "Monteverdi: Madrigali, Libri primo e nono" album is number 21 out of 33. On top of that, France appears to be the country where this track was created. In terms of popularity, Il primo libro de' madrigali: Ardo sì, ma non t'amo: No. 3., Arsi e alsi a mia voglia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il primo libro de' madrigali: Ardo sì, ma non t'amo: No. 3., Arsi e alsi a mia voglia by Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In furore iustissimae irae, RV 626: IV. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 125 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Salve mundi salutare" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane | C Minor | 2 | 5A | 90 BPM | ||
Madrigals, Book 9: Non voglio amare, SV 172 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Falco van Loon, Joao Moreiro | C Major | 1 | 8B | 72 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia eius | Johann Sebastian Bach, Gérard Lesne, Howard Crook, Philippe Herreweghe, La Chapelle Royale | E♭ Minor | 0 | 2A | 107 BPM | ||
Pergolesi: Stabat Mater, P. 77: X. Fac ut portem Christi mortem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 0 | 11B | 128 BPM | ||
Gloria: Qui sedes ad dexteram Patris | Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 109 BPM | ||
Madrigali guerrieri: No. 1, Sonnet by an Anonymous "Altri canti d'Amor, tenero arciero" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | G Major | 1 | 9B | 123 BPM |