"Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo" by Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra was released on 1961. Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 4 in the song's album "Sibelius: Symphony No. 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo by Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Lalo : Cello Concerto in D minor : II Intermezzo | Édouard Lalo, Frédéric Lodéon, Philharmonia Orchestra, Charles Dutoit | G Major | 1 | 9B | 78 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | F Major | 2 | 7B | 151 BPM | ||
Götterdämmerung, WWV 86D / Dritter Aufzug: "Zurück vom Ring!" | Richard Wagner, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 68 BPM | ||
Symphony No.9 In D / 4. Satz: Tempo I. Molto adagio | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 88 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM |