On 2006, the song "Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: III. Allegro" was released by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt. The duration of Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: III. Allegro is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 24 in Albinoni: Oboe Concertos by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt. In terms of popularity, Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: III. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: III. Allegro by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Nr. 104 D-Dur " Dudelsack " - Adagio-Allegro | Musici di San Marco, Alberto Lizzio | D Major | 2 | 10B | 125 BPM | ||
Trio Sonata in G Minor: IV. Allegro | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 101 BPM | ||
4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | F♯ Major | 0 | 2B | 78 BPM | ||
Flute Sonata in D Major, Op. 2, No. 2: I. Largo | Pietro Locatelli, Il Ruggiero | B Major | 1 | 1B | 108 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
Recorder Concerto in C Major, Op. 17, No. 1: 3. Légèrement | Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | B Major | 2 | 1B | 105 BPM | ||
Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: 3. Allegro | Georg Philipp Telemann, Peter Westermann, Michael Niesemann, Piet Dhont, Musica Antiqua Köln, Reinhard Goebel | A Major | 2 | 11B | 144 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM |