"Brich dem Hungrigen dein Brot, BWV 39: Part I: Brich dem Hungrigen dein Brot (Chorus)" by Johann Sebastian Bach, Gillian Keith, Wilke te Brummelstroete, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on January 1, 2000. Since Brich dem Hungrigen dein Brot, BWV 39: Part I: Brich dem Hungrigen dein Brot (Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 56 in Bach, J.S.: Cantatas, Vol. 1 - Bwv 7, 20, 30, 39, 75, 167 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Brich dem Hungrigen dein Brot, BWV 39: Part I: Brich dem Hungrigen dein Brot (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brich dem Hungrigen dein Brot, BWV 39: Part I: Brich dem Hungrigen dein Brot (Chorus) by Johann Sebastian Bach, Gillian Keith, Wilke te Brummelstroete, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 80 BPM | ||
Es ist euch gut, dass ich hingehe, Cantata BWV 108: No. 5: Was mein Herz von dir begehrt | Johann Sebastian Bach, Aafje Heynis, Wiener Symphoniker, Hans Gillesberger | B Minor | 3 | 10A | 101 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 78 BPM | ||
Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Gloria in D, R.589: 6. Domine Deus, Rex Coelestis | Antonio Vivaldi, Judith Nelson, Academy of Ancient Music, Simon Preston | B Major | 0 | 1B | 86 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Overture (Largo - Allegro) | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 2 | 12B | 130 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 90 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. — | Johann Sebastian Bach, Amsterdam Baroque Orchestra, Ton Koopman, Jos Konnings, Ku Ebbinge, Michel Garcin-Marrou, Michel Henry, Monica Huggett, Paul Dombrecht | E Major | 3 | 12B | 84 BPM |