Robert Schumann, Mitsuko Uchida's 'Waldszenen, Op.82: 1. Eintritt' came out on January 1, 2013. The duration of Waldszenen, Op.82: 1. Eintritt is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Waldszenen, Op.82: 1. Eintritt's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Schumann: G Minor Sonata; Waldszenen; Gesänge der Frühe". In this album, this song's track order is #1. In terms of popularity, Waldszenen, Op.82: 1. Eintritt is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Waldszenen, Op.82: 1. Eintritt by Robert Schumann, Mitsuko Uchida having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Major, L 164 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | G Minor | 0 | 6A | 91 BPM | ||
Debussy: Cello Sonata in D Minor, L. 144, L. 135: I. Prologue | Claude Debussy, Daniel Müller-Schott/Robert Kulek | D Minor | 0 | 7A | 131 BPM | ||
Adagiosissimo tiré du Caprice sur le départ de son frère bien aimé, BWV 992 | Johann Sebastian Bach, Anne Queffélec | F Minor | 0 | 4A | 58 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Lyric Pieces Book VI, Op.57: 6. Heimweh | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 140 BPM | ||
Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM | ||
Piano Sonata No.2 in F, K.280: 2. Adagio | Wolfgang Amadeus Mozart, Mitsuko Uchida | F Minor | 0 | 4A | 166 BPM | ||
Soirées de Vienne, S. 427: No. 6, Allegro con strepito (After F. Schubert) - First version | Franz Liszt, Evgeny Kissin | A Major | 1 | 11B | 106 BPM |