"The Lark Ascending" by Ralph Vaughan Williams, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 1, 1972. The Lark Ascending appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Tallis Fantasia; Fantasia on Greensleeves; The Lark Ascending etc. by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner. The song's track number on the album is #3 out of 4 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Lark Ascending is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Lark Ascending by Ralph Vaughan Williams, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lark Ascending being at 106 テンポ, the half-time would be 53 テンポ with a double-time of 212 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norfolk Rhapsody No. 1 in E Minor | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
A New Satiesfaction (Gymnopédie No. 1) | Erik Satie, Stephan Koncz, Ray Chen, Made in Berlin | G Major | 1 | 9B | 174 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Daphnis et Chloe: Part III: Lever du jour | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | E Minor | 2 | 9A | 77 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM |