"A New Satiesfaction (Gymnopédie No. 1)" by Erik Satie, Stephan Koncz, Ray Chen, Made in Berlin was released on April 15, 2020. With this song being about 5 minutes long, at 4:31, "A New Satiesfaction (Gymnopédie No. 1)" by Erik Satie, Stephan Koncz, Ray Chen, Made in Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Work From Home With Satie by Erik Satie. The song's track number on the album is #227 out of 243 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of A New Satiesfaction (Gymnopédie No. 1) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since A New Satiesfaction (Gymnopédie No. 1) by Erik Satie, Stephan Koncz, Ray Chen, Made in Berlin has a tempo of 174 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With A New Satiesfaction (Gymnopédie No. 1) being at 174 テンポ, the half-time would be 87 テンポ with a double-time of 348 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Gnossiennes: No. 6 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 70 BPM | ||
Gymnopédie No. 3: Lent et grave (arr. for baroque ensemble) | Erik Satie, Lautten Compagney | A Minor | 0 | 8A | 70 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Satie: 6 Gnossiennes: V. No. 5 | Erik Satie, Fazıl Say | G Minor | 0 | 6A | 170 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Satie: 3 Gymnopédies: No. 2, Lent et triste | Erik Satie, Anne Queffélec | D Minor | 0 | 7A | 73 BPM | ||
Petite ouverture à danser (Ed. Caby) | Erik Satie, Reinbert de Leeuw | A♭ Major | 0 | 4B | 83 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM |