"Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae" by Harrison Birtwistle, BBC Singers, Nicholas Kok was released on February 10, 2014. The duration of Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae is about 3 minutes long, at 3:26. Based on our data, "Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Harrison Birtwistle, BBC Singers, Nash Ensemble, Nicholas Kok's "Harrison Birtwistle: The Moth Requiem" album is number 4 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae by Harrison Birtwistle, BBC Singers, Nicholas Kok to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | Claude Debussy, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
5 Pieces for Orchestra, Op.16 - Original version of 1909: 1. Vorgefühle | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | D♭ Major | 3 | 3B | 72 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Here's One (Arr. Kaufman for Violin and Piano) | William Grant Still, Randall Goosby, Zhu Wang | D♭ Minor | 1 | 12A | 84 BPM | ||
Variations on a Rococo Theme, Op. 33b, TH 57 b: Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Minor | 0 | 6A | 75 BPM | ||
Violin Concerto No. 1: IV. | Unsuk Chin, Berliner Philharmoniker, Sir Simon Rattle, Christian Tetzlaff | E Minor | 3 | 9A | 83 BPM | ||
The Mask of Orpheus, Act II Scene 2: 12th Arch | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | D Minor | 3 | 7A | 120 BPM | ||
Punch and Judy: Prologue | Harrison Birtwistle, Stephen Roberts, David Wilson-Johnson, London Sinfonietta, David Atherton | C Minor | 2 | 5A | 72 BPM | ||
Ravel: Ma mère l'Oye, M. 62: II. Danse du rouet - Scène | Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 86 BPM | ||
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 | Tokyo Kosei Wind Orchestra, James Barnes | E Minor | 0 | 9A | 64 BPM |