"Ecos de Eternidad: I Saludos II" by Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra was released on November 8, 2022. With Ecos de Eternidad: I Saludos II being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 24 in Echoes of Eternity by Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of Ecos de Eternidad: I Saludos II is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ecos de Eternidad: I Saludos II by Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 175 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
The Firebird Suite, K010, (1945 Version): I. Introduction | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Suite for Viola and Piano: II. Interlude | Christopher Jessup, Brett Deubner, Allison Brewster Franzetti | F Major | 0 | 7B | 129 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Symphony No. 12 "De döda på torget": Bar 1204, Fienderna | Allan Pettersson, Swedish Radio Choir, Eric Ericson Chamber Choir, Christian Lindberg, Norrköping Symphony Orchestra | C Major | 4 | 8B | 122 BPM | ||
Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Florestan Trio | F♯ Minor | 0 | 11A | 77 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Trombone Sonata, "Vox Gabrieli" | Stjepan Šulek, Christian Lindberg, Roland Pöntinen | F♯ Major | 1 | 2B | 68 BPM |