Carl Maria von Weber, Theo Adam, Gerhard Paul, Hans Jörn Weber, Gerlind Schulze, Alfred Woronetzki, Kurt W. Franke, Staatskapelle Dresden, Carlos Kleiber made "Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal"" available on January 1, 1973. With Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal" being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #9 out of 30 tracks. In terms of popularity, Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal" by Carl Maria von Weber, Theo Adam, Gerhard Paul, Hans Jörn Weber, Gerlind Schulze, Alfred Woronetzki, Kurt W. Franke, Staatskapelle Dresden, Carlos Kleiber has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal" being at 115 テンポ, the half-time would be 58 テンポ with a double-time of 230 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act III: "Je dis que rien ne m'épouvante" | Georges Bizet, Ileana Cotrubas, London Symphony Orchestra, Claudio Abbado | F Major | 2 | 7B | 114 BPM | ||
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht - Live | Gustav Mahler, Thomas Hampson, Wiener Philharmoniker, Leonard Bernstein | G Minor | 0 | 6A | 72 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Abu Hassan, J. 106 (Highlights): Ängstlich klopft es mir im Herzen | Carl Maria von Weber, Ingeborg Hallstein, Peter Schreier, Theo Adam, Saxon State Opera Chorus, Dresden, Staatskapelle Dresden, Heinz Rögner | D Major | 2 | 10B | 73 BPM | ||
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 95 BPM | ||
Die Meistersinger von Nürnberg, Act I: Act I Scene 1: Da bin ich! (David, Magdalene, Walther, Eva) | Richard Wagner, Theo Adam, Karl Ridderbusch, Sebastian Feiersinger, Dieter Slembeck, Thomas Hemsley, Gerd Nienstedt, Günther Treptow, Erich Klaus, William Johns, Heinz Feldhoff, Fritz Linke, Hans Franzen, Waldemar Kmentt, Hermin Esser, Gwyneth Jones, Janis Martin, Kurt Moll, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 2 | 8B | 70 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
II. Aria - Hat man nicht mit seinen Kindern (Bass) | Johann Sebastian Bach, Theo Adam, Kammerorchester Berlin, Peter Schreier | E Minor | 3 | 9A | 76 BPM |