Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber's 'Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen"' came out on January 1, 1973. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #14 out of 30 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" by Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Lombardi / Act 3: Processione: "Gerusalem" | Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E Minor | 2 | 9A | 67 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Agnus Dei | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Wagner: Rienzi, WWV 49, Act 2 Scene 1: "Rienzi, nimm des Friedens Gruss!" (Colonna, Rienzi) | Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden | E Minor | 2 | 9A | 115 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 8: Aria: Gia d'insolito ardore nel petto (Mustafa) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | D Minor | 0 | 7A | 106 BPM | ||
Rigoletto / Act 1: Questa o quella...Partite? Crudele! | Giuseppe Verdi, Plácido Domingo, Olive Fredricks, Luigi De Corato, Dirk Sagemüller, Piero Cappuccilli, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | A♭ Major | 2 | 4B | 120 BPM | ||
La Bohème / Act 4: "C'è Mimì..." | Giacomo Puccini, Elizabeth Harwood, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 77 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 3: Dialog, "Ich glaube gar, du hast geweint?" (Ännchen, Agathe) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | C Major | 2 | 8B | 90 BPM | ||
Macbeth / Act I: Vieni t'affretta...Or tutti sorgete | Giuseppe Verdi, Shirley Verrett, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Major | 3 | 12B | 125 BPM |