Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger made "Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet I" available on April 15, 1989. The duration of Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet I is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Telemann: Recorder Suite in A minor - Viola Concerto - Tafelmusik: 2 Concerti". In this album, this song's track order is #8. Based on our statistics, Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet I's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet I by Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger having a テンポ of 159 with a half-time of 80 テンポ and a double-time of 318 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for 2 Recorders and Basso Continuo in D Minor: III. Affetuoso | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | A Major | 1 | 11B | 103 BPM | ||
Concerto for 2 Horns, Strings and Continuo in D: 4. Allegro assai | Georg Philipp Telemann, Hermann Baumann, Timothy Brown, Academy of St. Martin in the Fields, Iona Brown | D Major | 3 | 10B | 104 BPM | ||
Concerto No 5 in G minor - Presto | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 1 | 11A | 83 BPM | ||
Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: 1. Allegro | Georg Philipp Telemann, Peter Westermann, Michael Niesemann, Piet Dhont, Musica Antiqua Köln, Reinhard Goebel | A Major | 3 | 11B | 128 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Symphony in C Major, Op. 2 No. 3 "The Chaplet": II. Vivace | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 116 BPM | ||
Concerto No 11 in B flat major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A Major | 2 | 11B | 147 BPM | ||
Konzert für Oboe Nr. 3 g-Moll, HWV 287: IV. Allegro | George Frideric Handel, Marcel Ponseele, Il Gardellino | D♭ Minor | 2 | 12A | 119 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande (Largo) | George Frideric Handel, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 118 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM |