"Il Duca d'Alba / Act 4: "Inosservato...Angelo casto e bel"" by Gaetano Donizetti, José Carreras, Royal Philharmonic Orchestra, Roberto Benzi was released on January 1, 2014. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in José Carreras, Royal Philharmonic Orchestra, Roberto Benzi's "José Carreras Sings Donizetti, Bellini, Verdi, Mercadente, Ponchielli" album is number 8 out of 17. On top of that, Netherlands appears to be the country where this track was created. Il Duca d'Alba / Act 4: "Inosservato...Angelo casto e bel" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il Duca d'Alba / Act 4: "Inosservato...Angelo casto e bel" by Gaetano Donizetti, José Carreras, Royal Philharmonic Orchestra, Roberto Benzi to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Morgenlich leuchtend" | Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato, Richard Wagner | C Major | 3 | 8B | 79 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
La favorite, A. 58, Act III Scene 1: Me voici donc près d'elle ! | Gaetano Donizetti, Javier Camarena, Edoardo Milletti, Florian Sempey, Annalisa Stroppa, Donizetti Opera Orchestra, Riccardo Frizza | B♭ Minor | 1 | 3A | 76 BPM |