Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman's 'From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration' came out on January 15, 2021. The duration of From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration is about 3 minutes long, at 3:13. Based on our data, "From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 20 in Elgar: From the Bavarian Highlands, Op. 27 & Partsongs by Edward Elgar, Bavarian Radio Chorus, Howard Arman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration by Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: III. Introitus: Te decet hymnus - Allegro moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | E♭ Major | 2 | 5B | 104 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Grieg: Fire Salmer: I Himmelen (Op.74-4) Four Psalms : IV. In Heav’n above | Edvard Grieg, Grex Vocalis, Carl Høgset | G Major | 1 | 9B | 129 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 5, On the Alm | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM |