"Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer)" by Edvard Grieg, Eldbjørg Hemsing, Arctic Philharmonic was released on September 30, 2022. With this song being about 5 minutes long, at 4:40, "Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer)" by Edvard Grieg, Eldbjørg Hemsing, Arctic Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer) by Edvard Grieg, Eldbjørg Hemsing, Arctic Philharmonic to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM | ||
Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti) | Pyotr Ilyich Tchaikovsky, Esther Abrami, Iyad Sughayer | C Minor | 1 | 5A | 89 BPM | ||
Romance Op. 23 | Amy Beach, Bomsori, Julia Okruashvili | A Major | 1 | 11B | 87 BPM | ||
Notturno | Ottorino Respighi, Polina Osetinskaya | F♯ Major | 0 | 2B | 139 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM |