"Come, Holy Ghost" by Jonathan Harvey, St. Paul's Cathedral Choir, Nigel Beavan, John Scott, Andrew Burden, Jeremy Budd had its release date on June 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jeremy Budd, Felix Mendelssohn, St. Paul's Cathedral Choir, Bernard Rose, John Scott, Johannes Brahms, Gregorio Allegri, Jonathan Harvey, John Tavener, Michael Wise, Charles Villiers Stanford, Benjamin Britten's "Hear My Prayer, Allegri's Miserere and other Choral Favourites from St Paul's Cathedral" album is number 5 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Come, Holy Ghost is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Come, Holy Ghost by Jonathan Harvey, St. Paul's Cathedral Choir, Nigel Beavan, John Scott, Andrew Burden, Jeremy Budd to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hear My Prayer, O Lord, Z.15 (Arr. Pierini for Soprano, Baritone and String Sextet) | Henry Purcell, Claudia Barainsky, Mikhail Timoshenko, Matthias Lingenfelder, Andreas Arndt, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Ethereal Resonance | LeoRoads | F Major | 1 | 7B | 80 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Light Year: I. Star Gazing | Kenneth Fuchs, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 4, Mit Wut. Allegro risoluto | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Requiem: Offertory | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Andrew Thompson | D Major | 1 | 10B | 127 BPM | ||
Cello Concerto 'Labyrinth': II. Epicentre | Richard Birchall, Philharmonia Orchestra, Timothy Walden, Michael Collins | G Major | 1 | 9B | 66 BPM | ||
Sufi Dance | Jonathan Harvey, Karim Sulayman, Sean Shibe | F Major | 0 | 7B | 85 BPM | ||
Herma | Iannis Xenakis, Stephanos Thomopoulos | C Major | 2 | 8B | 76 BPM |