"Peter Grimes Op. 33, ACT 1 Scene 2: Come on, boy! (Balstrode/Chorus)" by Benjamin Britten, Thomas Allen, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden had its release date on 1993. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Peter Grimes Op. 33, ACT 1 Scene 2: Come on, boy! (Balstrode/Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 45 in Britten: Peter Grimes by Benjamin Britten, Bernard Haitink. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Peter Grimes Op. 33, ACT 1 Scene 2: Come on, boy! (Balstrode/Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes Op. 33, ACT 1 Scene 2: Come on, boy! (Balstrode/Chorus) by Benjamin Britten, Thomas Allen, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata For Arpeggione And Piano In A Minor, D. 821: 2. Adagio | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Saint Nicolas, Op. 42: The Birth Of Nicolas | Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Minor | 1 | 7A | 171 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |