"Schumann: Kinderszenen, Op. 15: No. 7, Träumerei" by Robert Schumann, Martha Argerich was released on June 2, 2010. The duration of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Schumann: Kinderszenen, Op. 15: No. 7, Träumerei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Schumann Scènes D'enfants". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Schumann: Kinderszenen, Op. 15: No. 7, Träumerei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Martha Argerich having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: II. Un poco adagio | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 78 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo | Bedřich Smetana, Jitka Čechová | F♯ Major | 0 | 2B | 73 BPM | ||
Sonata No. 2, Op. 36: II. Non Allegro | Hélène Grimaud | E Minor | 0 | 9A | 68 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Sonata for Piano in F Sharp Minor, Op. 11: I. Introduzione: Un Poco Adagio, Allegro vivace | Hélène Grimaud, Robert Schumann | D♭ Minor | 1 | 12A | 130 BPM | ||
Blumenfeld : Etude for the Left Hand in A flat major Op.36 | Felix Blumenfeld, James Rhodes | A♭ Major | 1 | 4B | 112 BPM | ||
Nocturne No.11 in E Flat Major, H.56 | John Field, Elizabeth Joy Roe | E♭ Major | 1 | 5B | 67 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM |