Robert Schumann, Alexis Weissenberg's 'Schumann: Kinderszenen, Op. 15: No. 7, Träumerei' came out on October 27, 2006. The duration of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Schumann: Kinderszenen, Op. 15: No. 7, Träumerei's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Piano, so we believe that "Schumann: Kinderszenen, Op. 15: No. 7, Träumerei" is a single. In terms of popularity, Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Alexis Weissenberg is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo | Bedřich Smetana, Jitka Čechová | F♯ Major | 0 | 2B | 73 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
Sonata in E Major, K. 380 (L. 23) | Domenico Scarlatti, Leon Fleisher | E Major | 1 | 12B | 93 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Major | 1 | 10B | 81 BPM |