"Coventry Carol" by Choir of King's College, Cambridge, Sir David Willcocks had its release date on January 1, 2013. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Coventry Carol's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 25 in Carols From Cambridge: The Very Best Sacred Christmas Carols by Choir of King's College, Cambridge, Choir of Clare College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Coventry Carol is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coventry Carol by Choir of King's College, Cambridge, Sir David Willcocks is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tomorrow shall be my dancing day | John Rutter, Traditional, Farnham Youth Choir, Royal Philharmonic Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Cantique de Noël (O Holy Night) - arr. for choir and organ | Adolphe Adam, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | E♭ Major | 2 | 5B | 73 BPM | ||
Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) | Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes | A Major | 1 | 11B | 81 BPM | ||
We Three Kings of Orient Are | John Henry Hopkins, The Tabernacle Choir at Temple Square, Richard P. Condie | G Major | 1 | 9B | 101 BPM | ||
Handel: Messiah, HWV 56, Pt. 1, Scene 3: Chorus. "O Thou That Tellest Good Tidings" | George Frideric Handel, Sir David Willcocks, Choir of King's College, Cambridge, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
Ord: Adam Lay Ybounden | Boris Ord, Choir of King's College, Cambridge, Philip Ledger | D Major | 2 | 10B | 80 BPM | ||
Adeste Fideles | John Francis Wade, Vienna Boys' Choir, Schubert Akademie, Gerald Wirth | G Major | 2 | 9B | 81 BPM | ||
Tomorrow shall be my dancing day | John Gardner, City of London Choir, Mark Williams, Ben Glassberg, Hilary Davan Wetton | D Major | 1 | 10B | 117 BPM | ||
Herefordshire Carol | English Traditional, Choir of King's College, Cambridge, Stephen Cleobury | E Minor | 1 | 9A | 99 BPM | ||
The Three Kings | Choir of King's College, Cambridge, Sir David Willcocks | A♭ Major | 1 | 4B | 78 BPM |