Boris Ord, Choir of King's College, Cambridge, Philip Ledger's 'Ord: Adam Lay Ybounden' came out on January 1, 1979. With Ord: Adam Lay Ybounden being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 22 in A Festival of Lessons & Carols from King's by Choir of King's College, Cambridge, Philip Ledger. Ord: Adam Lay Ybounden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ord: Adam Lay Ybounden by Boris Ord, Choir of King's College, Cambridge, Philip Ledger is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo, How a Rose E'er Blooming | Michael Praetorius, Jan Sandström, Elora Festival Singers, Noel Edison | F Major | 0 | 7B | 75 BPM | ||
Traditional: "A spotless rose" | Traditional, Choir of King's College, Cambridge, Philip Ledger | B Minor | 1 | 10A | 82 BPM | ||
Requiem, Op. 9: II. Kyrie (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | F Major | 1 | 7B | 84 BPM | ||
Angelus Ad Virginem | Benedictines of Mary, Queen of Apostles | A Major | 1 | 11B | 76 BPM | ||
The Little Drummerboy | Vienna Boys' Choir | G Major | 1 | 9B | 108 BPM | ||
Requiem: VII. Lux aeterna (Thomas Harries, treble) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia | G Major | 0 | 9B | 81 BPM | ||
Bach: Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft" | Johann Sebastian Bach, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields | G Major | 1 | 9B | 94 BPM | ||
The Sleeping Child | Bob Chilcott, VOCES8 | A♭ Major | 0 | 4B | 142 BPM | ||
Hodie Christus natus est | Jan Pieterszoon Sweelinck, Voices of Ascension Chorus, Dennis Keene | B♭ Major | 2 | 6B | 85 BPM | ||
Hark! The Herald Angels Sing | Felix Mendelssohn, St. Paul's Cathedral Choir, Simon Johnson, Andrew Carwood | G Major | 2 | 9B | 138 BPM |