Boris Ord, Choir of King's College, Cambridge, Philip Ledger's 'Ord: Adam Lay Ybounden' came out on January 1, 1979. With Ord: Adam Lay Ybounden being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 22 in A Festival of Lessons & Carols from King's by Choir of King's College, Cambridge, Philip Ledger. Ord: Adam Lay Ybounden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ord: Adam Lay Ybounden by Boris Ord, Choir of King's College, Cambridge, Philip Ledger is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Away in a Manger | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | F Major | 3 | 7B | 78 BPM | ||
Gaudete - Studio | Crouch End Festival Chorus | A Major | 6 | 11B | 121 BPM | ||
Handel: Messiah, HWV 56, Pt. 1, Scene 3: Chorus. "O Thou That Tellest Good Tidings" | George Frideric Handel, Sir David Willcocks, Choir of King's College, Cambridge, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah" | George Frideric Handel, Sir David Willcocks, Choir of King's College, Cambridge, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
O Come All Ye Faithful (Adeste fideles) | Choir of King's College, Cambridge, Simon Preston, David Willcocks | E Minor | 2 | 9A | 86 BPM | ||
Messiah, HWV 56 / Pt. 1: Glory To God | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis | E Minor | 1 | 9A | 85 BPM | ||
The Angel Gabriel | Robert Prizeman, Traditional, Sabine Baring-Gould, Libera | A Minor | 2 | 8A | 129 BPM | ||
Wexford Carol | Robert Prizeman, Traditional, Libera | B♭ Major | 2 | 6B | 127 BPM | ||
Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 70 BPM | ||
Ding! Dong! Merrily On High | XVI Century French, Choir of King's College, Cambridge, Stephen Cleobury | G Major | 1 | 9B | 86 BPM |