"Surrexit Christus hodie" by Samuel Scheidt, The Choir of Saint Thomas Church, Saint Thomas Brass, Jeremy Bruns, John Scott had its release date on 2006. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Surrexit Christus hodie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 16 in Easter on Fifth Avenue by The Choir of Saint Thomas Church, Jeremy Bruns, Saint Thomas Brass, John Scott. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Surrexit Christus hodie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Surrexit Christus hodie by Samuel Scheidt, The Choir of Saint Thomas Church, Saint Thomas Brass, Jeremy Bruns, John Scott is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: IX. Quoniam si voluisses sacrificium, Sacrificium Deo spiritus contribulatus - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Da Jesus an dem Kreuze Stund in C Major, SSWV 113 | Samuel Scheidt, Orchestre Symphonique Louis Archimbaud | C Major | 2 | 8B | 76 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Battle Suite: III. Gailliard Battaglia | Samuel Scheidt, American Brass Quintet | G Major | 3 | 9B | 93 BPM | ||
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM |