"Stabat Mater pour dix voix et basse continue: IV. Eja mater, fons amoris" by Domenico Scarlatti, Vox Luminis, Lionel Meunier was released on September 29, 2008. With Stabat Mater pour dix voix et basse continue: IV. Eja mater, fons amoris being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Scarlatti: Stabat Mater". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Belgium. The popularity of Stabat Mater pour dix voix et basse continue: IV. Eja mater, fons amoris is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater pour dix voix et basse continue: IV. Eja mater, fons amoris by Domenico Scarlatti, Vox Luminis, Lionel Meunier having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gott fähret auf mit Jauchzen BWV 43 - Seconda parte | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Johannete Zomer, Sandrine Piau, Sibylla Rubens, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer | D Minor | 5 | 7A | 122 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VIII. Choral "Amen, komm du schöne Freudenkrone" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | F♯ Major | 2 | 2B | 137 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Jesu, Meine Freude BWV 227: Denn Das Gesetz - Terzett | Calmus Ensemble | E Major | 1 | 12B | 125 BPM | ||
Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | D♭ Minor | 1 | 12A | 63 BPM | ||
Sonata in C Major (arr. of Sonata K.487/L.205) | Carl Tausig, Domenico Scarlatti, Sandro Russo | D♭ Major | 2 | 3B | 127 BPM | ||
Stabat Mater: Virgo virginum praeclara | Agostino Steffani, Daniel Behle, Julian Prégardian, Salvo Vitale, I Barocchisti, Diego Fasolis | C Minor | 2 | 5A | 96 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea | Johann Sebastian Bach, Vox Luminis, Lionel Meunier | B♭ Minor | 1 | 3A | 137 BPM | ||
Missa ex B: I. Kyrie - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | G Minor | 1 | 6A | 121 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: II. Ad te clamamus (Moderato) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM |