André-Ernest-Modeste Grétry, David Greco, Jessica Aszodi, Orchestra of the Antipodes, Erin Helyard's 'Les fausses apparences, Act II: Act II: Duet: Le mariage est une envie (Lopez, Jacinte)' came out on February 3, 2017. With Les fausses apparences, Act II: Act II: Duet: Le mariage est une envie (Lopez, Jacinte) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in André-Ernest-Modeste Grétry, Ed Lyon, Andrew Goodwin, Orchestra of the Antipodes, Erin Helyard's "Grétry: L'amant jaloux" album is number 8 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, Les fausses apparences, Act II: Act II: Duet: Le mariage est une envie (Lopez, Jacinte)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les fausses apparences, Act II: Act II: Duet: Le mariage est une envie (Lopez, Jacinte) by André-Ernest-Modeste Grétry, David Greco, Jessica Aszodi, Orchestra of the Antipodes, Erin Helyard to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in E-Flat Minor: VI. Lacrymosa | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM | ||
Kyrie in D Minor, K. 341 | Wolfgang Amadeus Mozart, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D Minor | 3 | 7A | 95 BPM | ||
Céphale et Procris: Ariette "Mon coeur blessé" (Airs de l'Aurore) | André-Ernest-Modeste Grétry, Sophie Karthäuser, Les Agrémens, Guy Van Waas | C Minor | 1 | 5A | 89 BPM | ||
Schicksalslied, Op. 54: Orchestral Postlude with Choir (alternate version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 0 | 11B | 82 BPM | ||
Te deum, LWV 55: XV. In te, Domine, speravi | Jean-Baptiste Lully, Stephane Fuget, Les Épopées | B♭ Major | 6 | 6B | 94 BPM | ||
Cantata No.30 "Freue dich, erlöste Schar", BWV 30: 5. Aria: Kommt, ihr angefocht'nen Sünder | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | F Minor | 1 | 4A | 72 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
Messa di Gloria: III. Laudamus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 89 BPM | ||
Elijah, Op.70, MWV A25 / Part 2: "Be not affraid, saith God the Lord" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 51 BPM | ||
Mi lagnero tacendo, K. 437 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | A♭ Major | 2 | 4B | 109 BPM |