"Colas Breugnon Overture, Op. 24" by Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic was released on March 1, 2003. With this song being about 5 minutes long, at 4:43, "Colas Breugnon Overture, Op. 24" by Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Dmitry Kabalevsky, Kathryn Stott, BBC Philharmonic, Vassily Sinaisky's "Kabalevsky: Piano Concertos, Vol. 1" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Colas Breugnon Overture, Op. 24's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Colas Breugnon Overture, Op. 24 by Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: III. Allegro, ma non troppo | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | A Minor | 2 | 8A | 82 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
Moscow Nights | Vasily Solovyov-Sedoi, Mikhail Matusovsky, Yo-Yo Ma, Kathryn Stott | F Minor | 1 | 4A | 87 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Fountains Of Rome, P. 106: 3. The Trevi Fountain At Midday | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | A Major | 5 | 11B | 105 BPM | ||
Tarantelle, Op. 43 | Frédéric Chopin, Kathryn Stott | A♭ Major | 1 | 4B | 89 BPM |