Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone's 'La Betulia liberata: Aria "Prigionier che fa ritorno"' came out on September 8, 2017. Since La Betulia liberata: Aria "Prigionier che fa ritorno" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 22 in Agitata by Delphine Galou, Accademia Bizantina, Ottavio Dantone. La Betulia liberata: Aria "Prigionier che fa ritorno" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Betulia liberata: Aria "Prigionier che fa ritorno" by Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Confitebor tibi I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: "Occhi mesti" | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri, Leonardo Vinci | B Minor | 1 | 10A | 127 BPM | ||
Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Les Indes galantes, RCT 44, Prologue: Entrée de la suite d'Hébé | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM |