"Lux aeterna (choral arr. of Elgar's Nimrod Variation)" by John Cameron, Choir of St John's, Elora, Noel Edison was released on April 18, 2006. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Choir of St John's, Elora's "Hear My Prayer - Hymns and Anthems" album is number 14 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Lux aeterna (choral arr. of Elgar's Nimrod Variation) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lux aeterna (choral arr. of Elgar's Nimrod Variation) by John Cameron, Choir of St John's, Elora, Noel Edison to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 72 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Michel Corboz, Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne | D Major | 3 | 10B | 124 BPM | ||
Lobet den Herrn, alle Heiden, BWV 230 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | B Major | 3 | 1B | 93 BPM | ||
Lux aeterna: Lux Aeterna: O nata lux | Morten Lauridsen, Elora Festival Singers, Noel Edison | D Major | 0 | 10B | 171 BPM | ||
Motorcycle Mayhem | John Cameron, Frog | D Major | 5 | 10B | 83 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM |