Francisco Mignone, Luiz de Moura Castro's 'Valsa brasileira No. 3' came out on May 1, 2013. The duration of Valsa brasileira No. 3 is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Valsa brasileira No. 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 22 in Brasil Piano by Luiz de Moura Castro. Valsa brasileira No. 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Valsa brasileira No. 3 by Francisco Mignone, Luiz de Moura Castro is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Rondo in A Minor, K. 511 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Minor | 1 | 7A | 130 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
4 Pictures for Piano Duet: No. 2, Quite Slow and Thoughtful | Edward Gregson, Murray McLachlan, Rose McLachlan | A Minor | 0 | 8A | 129 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
Maracatu de chico rei: IX. The Liberation of the Slaves - Final Dance (Allegro vivacissimo - Tempo de Samba) | Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling | D Major | 4 | 10B | 93 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM |