"Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo" by Midori, Zubin Mehta, Berliner Philharmoniker was released on 1989. Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "The Essential Midori". In this album, this song's track order is #15. Based on our statistics, Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo by Midori, Zubin Mehta, Berliner Philharmoniker having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in A Minor, Wq. 170: I. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | A Minor | 2 | 8A | 83 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) | Heinrich Wilhelm Ernst, Josef Spacek | C Major | 3 | 8B | 129 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: III. Adagio | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 0 | 1B | 84 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Concerto Grosso In D Minor, Op. 3, No. 11, RV 565: II. Largo E Spiccato | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Concerto grosso No.1: 4. Fugue | Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson | G Major | 3 | 9B | 133 BPM | ||
Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 | Henri Vieuxtemps, Roberto Díaz, Robert Koenig | F Minor | 1 | 4A | 88 BPM | ||
Introduction et Rondo capriccioso, Op. 28, R. 188: I. Introduction | Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Minor | 0 | 8A | 177 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM |