Henry Purcell, Gillian Fisher, Harry Christophers, The Sixteen's 'The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away' came out on August 28, 2015. The duration of The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Wedding Collection: Music for Weddings and Civil Ceremonies". In this album, this song's track order is #2. The popularity of The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away by Henry Purcell, Gillian Fisher, Harry Christophers, The Sixteen having a テンポ of 174 with a half-time of 87 テンポ and a double-time of 348 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Requiem, Op. 48: V. Pie Jesu | Gabriel Fauré, Laurence Equilbey, Sandrine Piau, Orchestre National De France | B♭ Major | 1 | 6B | 85 BPM | ||
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM |