"Magnificat, R.611: 2. Allegro: Et exsultavit" by Antonio Vivaldi, Margaret Marshall, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable was released on January 1, 1998. The duration of Magnificat, R.611: 2. Allegro: Et exsultavit is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Magnificat, R.611: 2. Allegro: Et exsultavit's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Sacred Music by Antonio Vivaldi, Various Artists, Vittorio Negri, English Chamber Orchestra. The song's track number on the album is #15 out of 271 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Magnificat, R.611: 2. Allegro: Et exsultavit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Magnificat, R.611: 2. Allegro: Et exsultavit by Antonio Vivaldi, Margaret Marshall, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Magnificat, R.611: 2. Allegro: Et exsultavit being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live | Ludwig van Beethoven, András Schiff | G Minor | 1 | 6A | 137 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 4 | 6A | 136 BPM |