Kurt Weill, London Sinfonietta, David Atherton made "Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott" available on January 1, 1976. The duration of Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #4 out of 42 tracks. The popularity of Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 185 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott being at 185 テンポ, the half-time would be 92 テンポ with a double-time of 370 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Play Piano Play "10 Pieces for Yuko": No. 1, Moderato | Friedrich Gulda, Martin David Jones | G Major | 1 | 9B | 69 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
Die Dreigroschenoper: Akt III, Der reitende Bote ("Horch, horch, horch") | Kurt Weill, Trude Hesterberg, Erich Schellow, Willy Trenk-Trebitsch, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | F Minor | 1 | 4A | 98 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Mahler: 5 Rückert-Lieder: IV. Ich bin der Welt abhanden gekommen (Äusserst langsam und zurückhaltend) | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | F Major | 0 | 7B | 66 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
5 Lieder, Op. 41: 1. Wiegenlied | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 0 | 10B | 75 BPM |