Georges Bizet, Ernest Blanc/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique's 'Les Pêcheurs de perles: Que vois-je? (Zurga, Nadir)' came out on October 11, 2010. The duration of Les Pêcheurs de perles: Que vois-je? (Zurga, Nadir) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Les Pêcheurs de perles: Que vois-je? (Zurga, Nadir)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 27 in Bizet: Les Pecheurs de perles by Georges Bizet, Pierre Dervaux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Les Pêcheurs de perles: Que vois-je? (Zurga, Nadir)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de perles: Que vois-je? (Zurga, Nadir) by Georges Bizet, Ernest Blanc/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Puccini: Turandot , Act 1: "Gira la cote! Gira!" (Crowd, Executioner's men) | Giacomo Puccini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala Di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Tito Gobbi, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Poulenc: Dialogues des Carmélites, FP 159, Act 1: "La Révérende Mère veut que vous approchiez" (Mère Marie, La Prieure, Blanche) | Francis Poulenc, Pierre Dervaux, Choeurs et Orchestre du Théâtre National de l'Opéra, Paris, Denise Duval, Denise Scharley, Rita Gorr, Orchestre du Théâtre National de l'Opéra de Paris | G Major | 4 | 9B | 164 BPM | ||
Romeo and Juliette, Act II: De qui parlez-vous donc | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
La Fanciulla del West / Act 1: Laggiù nel Soledad | Giacomo Puccini, Carol Neblett, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | F Major | 4 | 7B | 143 BPM | ||
Puccini: La rondine, Act 2: "Paulette! I nostri amici son gia partiti" (Ruggero, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
Offenbach: Les contes d'Hoffmann, Act II: "Mesdames et Messieurs, je vous présente ma fille Olympia" (Spalanzani, Chœur, Hoffmann, Nicklausse, Olympia, Cochenille) | Jacques Offenbach, André Cluytens, Bourvil, Chœurs du Théâtre National de l'Opéra-Comique, Fanély Revoil, Raoul Jobin, René Lapelletrie, Renée Doria, Orchestre du Théâtre national de l'Opéra-Comique | C Major | 3 | 8B | 82 BPM |